Chanel Cardigan Jacket

 Jacket Front

Claire Shaeffer pattern – Vogue 8259 (out of print)

Coco Chanel was the epitome of elegance and her classic cardigan jacket is a timeless garment.  It is my humble opinion that no wardrobe is complete without at least one version.  Then, if you are going to be a purist, it must be constructed using classic couture techniques.  Being a huge fan of sewing by hand, this suits me just fine.

This year I will be teaching a 4-day workshop at the Australian Sewing Guild annual convention on constructing a Chanel jacket incorporating couture methods.  Although there is a considerable amount of hand sewing required, you still do get to use a sewing machine.  The order of construction is quite different to what you may be used to.  For example, normally the lining would be the last thing to be inserted into a jacket.  Not so with the Chanel jacket which has the lining quilted to the body.  This means you attach the lining to the fronts and backs BEFORE you join at shoulders and side seams.  Quilting the lining to the fabric provides wonderful stability and body to the garment particularly when using the traditional tweed boucle fabric which is a loose weave.

I now have two versions of this pattern in my wardrobe.  The first one I made was a a navy textured wool/polyester blend  I made it with a collar, two pockets only, and gorgeous retro-print silk lining.  The pattern (Vogue 8259) has a 3-piece sleeve with a lovely curved vent (with buttonholes, of course).  This sleeve is wonderful for fitting larger arms, as the extra seam gives you more opportunities to enlarge where needed, particularly in the upper arm area.

The fabric used was stable enough that back, side front and sleeves did not require interfacing – the quilting provided enough body.  The jacket front still requires interfacing and I choose to use tailor’s canvas.

For my second jacket I choose the more traditional boucle fabric with a check design which means careful cutting to match the pattern across seams.  This being a loose weave fabric, I interfaced the body pieces with silk organza before quilting the lining.  Four pockets in this version and no collar.  Loving the laser-etched Italian buttons.  In fact, the whole jacket was designed around the buttons!

What would I do different next time?  I should have made the front facing from a contrasting fabric like a silk dupion to reduce the bulk at the front.  I’m still very pleased with the result and it fits beautifully.  Now I just have to wait for winter to wear it.

Vogue 8259 is now out of print but a very similar pattern (also Claire Schaeffer) is V8804.  No collar with this pattern and a 2-piece sleeve but otherwise the same.  It would be easy enough to adapt the sleeve and add a collar.

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Mix ‘n’ Match

ImageImageImageWhat to do with all those bits of left over fabric.  When they are too beautiful to part with the only thing to do is assemble them into another garment.  This Marcy Tilton pattern (Vogue 8752), with the interesting shape and many different pieces, was the perfect choice for my favourite bits of silk.  The challenge was deciding how to place the different fabrics for a pleasing effect, working with pieces of varying sizes.

Seams Like Fun

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Mary Peterson's Thrifty Chic

Thrift Conscious - Refashion/Fashion/Lifestyle

well-suited

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Pro Sew

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Visit my NEW blog at MarcyTilton.com

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Australian Sewing Guild Ltd

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sew Amy sew

sewing pieces to wear and admire